The control you love with the power you need
Tổng quan
- The Vi5000 digital mixing consoles delivers the best Vi sound ever, bringing optional 96kHz processing, upgraded channel counts and even more reliable hardware to live sound’s most popular mix interface.
- Partnering a compact control surface with new Local Rack and Active Breakout box hardware, Vi delivers simultaneous mixing of up to 128 inputs and 32 mono/stereo busses.
- Pristine sound quality is assured by ultra-low noise mic amp designs and enhanced 96kHz* 40-bit floating point digital audio processing, while FX come courtesy of 8 independent Lexicon multi-FX units, BSS DPR901ii™ integration and a BSS graphic EQ on every bus output. Rapid configuration and powerful automation features, radio mic status monitoring and extensive ViSi Connect I/O expansion (EtherSound™, CobraNet™, Dante™, MADI, etc.) complete the package.* Additional DSP cards and reduced channel count required for 96kHz operation
Tính năng mới
- The latest Vistonics™ & FaderGlow™ interface
- Up to 128 inputs and 32 mono/stereo busses
- Enhanced audio processing with 96kHz sample rate option
- Powerful new features including BSS DPR901ii™ Dynamic EQ
- STUDER vMIX automatic microphone mixing built-in
- New Local Rack hardware for 384 I/O channels
- 128 channel record interface via MADI or Dante™
- Mix live with UA™ plug-ins (via Realtime Rack)
- Huge connectivity options – Dante™, Rocknet™, Ethersound™, Cobranet™, MADI and more
Thông số kỹ thuật
Frequency Response – Stagebox Mic input to Line output | +0/-1dB, 20Hz-20kHz |
AES/EBU In to AES/EBU Out | +0/-0.2dB, 20Hz-20kHz |
Stagebox Mic In (min gain) to Local Line Out | <0.003% @ 1kHz |
Stagebox Mic In (max gain) to Local Line Out | <0.020% @ 1kHz |
Local Line In to Line Out | <0.003% @ 1kHz |
Mic Input E.I.N | <-126dBu (150Ω source) |
Residual Noise | -91dBu Stagebox line output; no inputs routed, Mix fader @0dB |
CMRR, Stagebox Mic input | 80dB @ 1kHz |
Sampling Frequency | 48kHz or 96kHz |
Latency: Stagebox Mic Input to Local Line output | <2ms @48kHz |
AES/EBU Input Sample Rate | 32–108kHz (with SRC enabled) |
DSP Resolution | 40-bit floating point |
Internal Clock Accuracy | <+/-50ppm |
Internal Clock Jitter | <+/-5ns |
External Sync | BNC Wordclock |
Input & Output Levels – Mic Inputs | +28dBu max |
Input & Output Levels – Line Inputs | +22dBu max |
Input & Output Levels – Line Outputs | +22dBu max |
Nominal Operating Level | +4dBu (-18dBFS) |
Input & Output Impedances – Mic Inputs | 10kΩ |
Input & Output Impedances – All other analogue Inputs | >10kΩ |
Input & Output Impedances – Line Outputs | <75Ω |
Input & Output Impedances – AES/EBU Outputs | 110Ω |
Oscillator | 20Hz to 20kHz/Pink/White Noise, variable level |
Stagebox HP Filter | 80Hz fixed, 12dB per octave |
Channel HP filter | 20Hz-600Hz, 18dB per octave |
Channel LP filter | 1kHz-20kHz, 18dB per octave |
EQ (Inputs and Bus Outputs) – HF | 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving |
EQ (Inputs and Bus Outputs) – Hi-Mid | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 |
EQ (Inputs and Bus Outputs) – Lo-Mid | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 |
EQ (Inputs and Bus Outputs) – LF | 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving |
Metering | Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s. |
Mains Voltage Operating Range | 90-264V, 47-63Hz, autoranging |
Mains Power Consumption | 300W |
Operating Temperature | 0°C – 45°C (32°F – 113°F) |
Relative Humidity | 0% – 90%, non-condensing Ta=40°C (104°F) |
Storage Temperature | -20°C – 60°C (-4°F – 140°F) |
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